Monographs and Catalogues
Print, Radio and Web
Recordings and Video
Anthologies
Polish Shadow, Steidl 2006
Americans [1940-2006], Kunsthalle Wien, Gerald Matt, Peter Weiermair.
Chapalingas, 464 pages with 204 photographs by Rosalind Solomon, includes essays by Susanne Lange, Ingrid Sischy and Gabrielle Conrath-Scholl. Co-published by Steidl, Göttingen, Germany and Die Photographische Sammlung / SK Stiftung Kultur, Köln, Germany. 2003 (English, German and French.)
Museum of Photographic Arts, San Diego, California, 1986, Earthrites, Arthur Ollman
The Grey Gallery and New York University Study Center, New York, 1988, Portraits in the Time of AIDS, Thomas Sokolowski
Museo de Arte de Lima, Peru, 1996, El Peru Y Otros Lugares, Peru and Other Places, Natalia Majluf and Jorge Villaoorta
Bilbao Bizkaia Kutxa, Bilbao, Spain, 1993, Desconnections
Etherton Gallery, Tucson, Ariz., Rosalind Solomon, Photographs 1976-1987
Ikona Photo Gallery, Venice, Italy, 1982, Rosalind Solomon, Peru, Ljerka Mifka
The Corcoran Gallery, 1980, Rosalind Solomon: Washington, Jane Livingston
United States Information Service, 1984, Rosalind Solomon: India, Will Stapp
Look Underfoot, “A Woman I Once Knew: Screening in NYC”, Susana Raab, July 2010
About.com: Art History, “Rosalind Solomon Reinvented, Again”, Beth Gersh-Nesic, June 2010
The New Yorker, “Rosalind Solomon Ritual”, June 2010
591 Photography Blog, “Rosalind Solomon”, Rhonda Prince, June 2010
reliquum : remainder, what is left, leavings., “Rosalind Solomon Ritual”, John Jacob, May 2010
New York times Lens Blog, “Rosalind Solomon's Singular Journey”, Susana Raab, May 2010
Look Underfoot, “Rosalind Solomon's Singular Journey (extended)”, Susana Raab, May 2010
Too Much Chocolate, “Sunday Showcase: Rosalind Solomon”, Jake Stangel, February 2010
Art in America, Edward Leffington, December 2008
The Archive 35, Center for Creative Photography, October 2008
Modern Painters, June 2008, Lyra Kilston
The New Yorker, April 7, 2008, Vince Aletti
FM4, November 2, 2006: “Interview with Rosalind Solomon and Ed Templeton”
Der Standard, November 8, 2006
Falter, 8 November, 2006
Parnass, November, 2006 “Lichtempfindliche Zeiten,” Nicole Scheyerer
Wiener Zeitung, November 3, 2006: “Immer Probleme mit den Putzfrauen,” Brigitte Borchhardt-Birbaumer
Krone, November 3, 2006: “Amerika, so wie es wirklich ist,” Erwin Melchart
Kurier, November 3, 2006, Henriette Horny
Format, November 2006: “Im Bilderrausch,” Gerald Sturz
Four Questions for Rosalind Solomon, October 2006, Michael David Murphy on 2point8
Ray, November 2006: “Westward the Pictures”
Wien live, October 2006
Photo District News, Vince Aletti, July 2006
Monthly Photographer, “Fashion and Portraits,” Korea, July 2006
The New York Times, Ken Johnson, May 12-26, 2006
The New York Times, “Art and Architecture,” Randy Kennedy, May 7, 2006
The New Yorker, May 29, 2006
Saint Anne's Review, Summer/Fall 2004
Village Voice, "The Best Photo Books of 2003," Vince Aletti, Jan. 12, 2004
Gazeta magazine, "Malzenstwo wedlug Rosalind Solomon (Rosalind Solomon's Views on Marriage)," Paulina Skirgajllo-Krajewska, Warsaw, Poland, Nov. 12, 2003.
Photobooks, Vince Aletti, Nov./Dec. 2003 (photograph on p. 48)
The Telegraph Magazine, "Up Close and Personal," Naomi West, Oct. 18, 2003.
Art Cologne, 2003, p. 31
Modern Painters, "Bookmark," Rebecca Wilson, Winter 2003
Portraits/Visages 1853 - 2003, Galerie de Photographie, Bibliotheque nationale de France/Gallimard; Catalogue preface by Jean-Noel Jeanneney, Thierry Grillet, Sylvie Aubenas and Anne Biroleau. See excerpt.
Art on Paper, review of Chapalingas, Sept./Oct. 2003.
B & W Black & White Magazine, "Important Exhibitions We Would Like to See in America," Susan Ehrens, August 2003
Paris Photo, Gerhard Steidl, July 2003
Fotomagazin, "Fur across the Heart," Manfred Zollner, July 2003
Prinz, "Die Welt in Schwarzweiß," May 2003
Photonews, "Fremd sein, fremd bleiben," Christoph Ribbat, May 2003
Stadtrevue, "Rosalind Solomon: Chapalingas," Kerstin Stremmel, May 2003
American Suburb X, "Interview with Rosalind Solomon" Steven Watson, May 2003
Kölner Illustrierte, "Rosalind Solomon," May 5, 2003
General-Anzeiger Bonn, "Zuckerwatte im roten Licht," Stefanie Stadel, May 3-4, 2003
Düsseldorfer Hefte, "Der Blick hinter die Oberfläche. Die US-Fotografin Rosalind Solomon," Stefanie Stadel, May 1, 2003
Photopresse, "Chapalingas", Anne Kotzan, No. 21, 2003
fotomagazin, "Fell am Herzen," Manfred Zollner, No. 7, 2003
NRZ, "Feuilleton: Rosalind Solomon," April 23, 2003
Süddeutsche Zeitung, "Die schier hemmungslose Leidenschaft der Bildererzählerin," Helmut Mauró, April 9, 2003
Photograhie, "Amerikanische Ansichten," April 2003
Frankfurter Rundschau, "Geerbter Schmuck: Der subtile Globalismus Rosalind Solomons," Ulf Erdmann Ziegler, March 29, 2003
Schaden.com, "Rosalind Solomon: Chapalingas," Markus Schaden, March 27, 2003
Kölner Stadt-Anzeiger, "Worte lösen sich in Luft auf und werden Poesie," March 21, 2003
Kölnischer Rundschau, "Schillernd wie Chapalingas," Annette Schroeder, March 14, 2003
Süddeutsche Zeitung, "Die Weitgereiste," March 14, 2003
on time (Deutsche BA), "Chapalingas," March 2003
The New York Times, “An Assembly of Skewed Images Dancing Out of a Dream State,” Margaret Loke, New York, February 22, 2002, p. B24.
Elle, Italy, February/March, 2000
Blind Spot, Untitled (Belfast), Issue 13
Village Voice, “Rosalind Solomon and Linda Connor,” Vince Aletti, New York, November 9, 1999, p.89
The New York Times, “Ethnologists’ Data Turn Out to be Art,” Vicki Goldberg, New York, 1996
New York Magazine, “All Together Now,” Guy Trebay, New York, November 4, 1996
Caretas, “Lugares de Solomon,” Lima, Peru, August 1996
El Sol, “El Mundo Tambien pasa por Conchucos,” Lima, Peru, August 15, 1996
El Sol, “La Fotografia IIega del Norte,” Lima, Peru, August 12, 1996
New York Times, “Sharing the Visions of 6 Photographers,” Helen A. Harrison, New York, July 23, 1995
Utne Reader, “Photofolio: South Africa by Rosalind Solomon,” Rosalind Solomon, New York, 1995
Interview, “Your World in Revolution,” photographs by Bruce Weber and Rosalind Solomon, New York, 1994, pp. 138-39
Interview, “Once Under the Palms a Journey into the Past and Future by Four Artists” Ingrid Sischy, New York, 1993
Interview, “Things Will Never Be The Same,” Rosalind Solomon, New York, 1993
Almanaque para el ano 1993, p. 39, Bilbao Bizkaia Kutxa, Bilbao, Spain, 1993
The Independent, “Fair Provides a Snapshot of Photographic In-Crowd,” Geraldine Norman, London, June 18, 1990
The Washington Post, “Unmasking the Face Through Photography,” Michael Welzenbach, Washington, D.C., November 17, 1990
Mirabella, “Portraits from South Africa,” Vince Aletti, New York, 1990
People Magazine, “The Indomitable Spirit,” Ralph Novak, New York, April, 1990
New York Magazine, “Signs of the Times,” Kay Larson, New York, June 6, 1988
Afterimage, “The Politics of Experience,” John P. Jacob, Rochester, New York, 1988/1989
Newsletter of The Friends Photography, “Journeys,” Debra Heimerdinger, September, California, 1988
Cliches, Rosalind Solomon, "Photographe a la premiere personne," Loic Malle, May 1987, Nol. 36
Artforum, Charles Hagen, New York, New York, October 1986
The New York Times, “Taking a Fresh Look At Foreign Yet Familiar Lands,” Andy Grundberg, New York, August 10, 1986
Excerpt from Wall Comment, “Rosalind Solomon RITUAL,“ MOMA Solo Exhibition, 1986
Photo Communique, “Photographs as Artifact: The Work of Rosalind Solomon,” Rochelle Kolodny, Canada Winter 1985/1986
Rosalind Solomon, “Rosalind Solomon Photographies,” Ben Lifson, Traduit de l’anglais, Union des Banques a Paris, Paris, France, 1984
Corazon Songs and Music Recorded in Peru, Rosalind Solomon, Folkways-Smithsonian Institution, Washington, D.C., 1982
“Morning Edition,” Elizabeth Perez Luna Interview, National Public Radio, July 2, 1982 Rosalind Solomon: Peru, ed. Ziva Kraus, Ljerka Mifka, Ikona Gallery, Venice, Italy, 1982
The Village Voice, “New Perspective,” Ben Lifson, New York, February 3, 1982
The Washington Post, “Double Exposure,” Richard Paul, Washington, D.C., February 4, 1981
The New York Times, “Art: Photographing America’s Children,” Vivien Raynor, New York, January 9 , 1981
Artforum, “The Corcoran Gallery of Art, Sander Gallery,” Colin Westerbeck, New York, Summer 1980
Vogue, “Talking About Art,” Barbara Rose, New York, June 1980
American Children, Susan Kismaric, Museum of Modern Art, New York, 1980
Artforum, “From the Series ‘Outside the White House’,” Rosalind Solomon, New York, October 1980
Afterimage, “Solomon and Gomorrah,” Shirley True, Rochester, New York, October 1980
Don’t Eat My Centerpiece, Rosalind Solomon, 3-projection video installation. Part of the “Inside Out” exhibit at the Bruce Silverstein Gallery, 2008
Corazon Songs and Music Recorded in Peru, Rosalind Solomon, Folkways-Smithsonian Institution, Washington, D.C., 1982
Indian Love Rites Durga Puja and Kali Puja in Calcutta, Rosalind Solomon, Folkways-Smithsonian Institution, Washington, D.C., 1984
To Highlands, Rosalind Solomon, video, New York, 1998
Male, Vince Aletti, published by Andrew Roth, 2008
The Theatre of the Face, Portrait Photography Since 1900, Max Kozloff, Phaidon Press, London, 2007
Americans [1940-2006], Verlag Damiani Editore, Bologna 2006
La Trajectoire de regard: Une exposition de photographies du XXe siecle, Salle d’exposition du quai Antoine ler, Monaco, February 2006
Holy Madness: Portraits of Tantric Siddhas, Rubin Museum, Winter 2006
Fotografia, 2005, published by Televisa, Mexico,
DF, and printed by Los Talleres de Artes Graficas
Palermo, Madrid
"Visages/Portraits," Bibliothèque nationale de France, Paris, France, October 2003
The Social Scene, an Anthology, Max Kozloff, Ralph Parsons Foundation Photography Collection, Museum of Contemporary Art, Los Angeles, California, 2000
Photography in New York, Inc., New York, New York, March/April, May/June, January/February, 2000, back page
Photography in New York, Inc., New York, New York, November/December, 1999
Blindspot, “Thirteen,” New York, New York, May 13, 1999
A Sampling of Innocent Documents, “Making Women More Visible,” ed. Diana Mara Henry, Bettye Lane, The Arthur and Elizabeth Schlesinger Library, Radcliff College, Cambridge, Massachusetts, 1999, pp. 26-27
Our Grandmothers, “Your Ever Adoring Gammon,” ed. Linda Sunshine, Welcome Enterprises, Inc., New York, New York, 1998, pp. 82-83
Hope, ed. Alice Rose George and Lee Marks, Thames and Hudson, New York, New York, 1998, pp. 126. 139, 148
India, A Celebration: Fifty Years of Independence, The Aperture Foundation, New York, New York, 1997, pp. 158 - 164
Leg, ed. Diana Edkins, Betsy Jablow, General Publishing Group, Los Angeles, California, 1997
Our Mothers, Portraits of 72 Women Photographers, Viviane Esders, Stewart, Tabori & Chang, New York, 1996
MS. Magazine, November/December 1996
Media Marathon, Erik Barnouw, Duke University Press, Durham North Carolina, 1996
Wedding Days, Marla Hamburg Kennedy, Hiro Ikera, H2O Co. & Graystone Books, Japan, 1996, p. 28
World Photo Art Exhibition and Auction, Kobe Aid Fund, Asahi Shimbun, Tokyo Institute of Polytechnics, Tokyo, Japan, 1996
Luz y Tiempo, Manuel Alvarez Bravo, Fundacion Cultural Televisa, Mexico City, Mexico, 1995
Animal Attractions, Diana Edkins, Harry N. Abrams, Inc., New York, 1995
Black and White Washington, Thomasson-Grant, Charlottesville, Virginia, 1995, pp. 35, 41
The Body and the Lens, “Photography Since 1839: Gender Politics and the Postmodern Body,” John Pultz, Harry N. Abrams, Inc., New York, 1995, pp. 58-159
Fathers and Children, ed. Charles Sullivan, Harry N. Abrams, Inc., New York, 1995, p. 147
Mortal Remains, ed. Ricardo Bloch and Don Celender, Macalester College, St. Paul, Minnesota, 1995
Twentieth Century Photographs From the Permanent Collection, Centro Cultural de Arte Contemporaneo, Mexico City, Mexico, 1995
The History of Women in Photography, Naomi Rosenblum, Abbeville Press, New York, New York, 1994
Do Not Leave Me This Way: Art in the Age of AIDS, Compiled by Ted Gott, National Gallery of Australia, Thames and Hudson, Melbourne, Canberra, Australia, 1994, p. 145
American Politicians, Photographs from 1843 to 1993, Susan Kismaric, Museum of Modern Art, Harry N. Abrams, Inc. New York, 1994
Mexico Through Foreign Eyes, ed. Carole Naggar & Fred Ritchin, W.W. Norton & Co., New York, 1993, pp. 164-6
Members Only, ed. Ruth Turner and Lola Estrany, Galeria Carles Poy, Barcelona, Spain, 1993, p. 116
Blue Sky #2, Blue Sky Gallery, Portland, Oregon, 1992
From Media to Metaphor: Art About AIDS, Independent Curators Inc., New York, 1992, p.57
American Documents in the Fringe, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, 1992
Parkett, “Not Vital: Frei Konvertibel” Rosemarie Trockel and Christopher Wool, Parkett-Verlag AG, Zurich, Switzerland, 1992, p. 147
The Indomitable Spirit, Marvin Heifferman and Carol Kismaric, The International Center of Photography, New York, New York, 1990
Women Photographers, Connie Sullivan, Harry N. Abrams, New York, 1990
Aperture, “Grief and Anger, Self and Shadow: Photographing People with AIDS,” Robert Atkins, New York, New York, Spring 1989
Recaption: Recontext, University of Minnesota Art Museum, Minneapolis, Minnesota, 1989
The New Expeditionary Photographer, Museum of Art, University of Oklahoma, Norman, Oklahoma, 1989
Wanderlust, Work by 8 Contemporary Photographers, Keith Davis, Nelson Atkins Museum, Hallmark Collection, Kansas City, Missouri, 1987
Mothers and Daughters, Burden Gallery, Aperture Foundation, New York, 1987
American Dreams, ed. Belinda Rathbone, Centro de Arte Reina Sofia, Madrid, Spain, 1987
Tenth Anniversary Photography Exhibition, Galerie Zabriskie, Paris, France, 1987
India: Ritual and the River, Aperture Foundation, New York, Winter 1986
Festival of India, “Rosalind Solomon: India,” Will Stapp, Harry N. Abrams, New York, 1985
Traveling, Addison Gallery of American Art, Andover, Massachusetts, 1985
Apres Cinq Ans, Galerie Zabriskie, Paris, France, 1982
Twentieth Century Photographs from the Museum of Modern Art, John Szarkowski, Seibu Museum of Art, Tokyo Japan, 1982
American Children, Susan Kismaric, Museum of Modern Art, New York, 1980
Mirrors and Windows, John Szarkowski, Museum of Modern Art, New York, 1978
Sander Gallery Catalogue I 20th Century Photography, Sander Gallery, Washington, D.C., 1979, pp. 59-60
© Copyright 2010 Rosalind Solomon. All rights reserved. Rosalind Solomon Studio, New York City, USA.