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Polish Shadow, Steidl 2006 Americans [1940-2006], Kunsthalle Wien, Gerald Matt, Peter Weiermair. Chapalingas, 464 pages with 204 photographs by Rosalind Solomon, includes essays by Susanne Lange, Ingrid Sischy and Gabrielle Conrath-Scholl. Co-published by Steidl, Göttingen, Germany and Die Photographische Sammlung / SK Stiftung Kultur, Köln, Germany. 2003 (English, German and French.) Museum of Photographic Arts, San Diego, California, 1986, Earthrites, Arthur Ollman The Grey Gallery and New York University Study Center, New York, 1988, Portraits in the Time of AIDS, Thomas Sokolowski Museo de Arte de Lima, Peru, 1996, El Peru Y Otros Lugares, Peru and Other Places, Natalia Majluf and Jorge Villaoorta Bilbao Bizkaia Kutxa, Bilbao, Spain, 1993, Desconnections Etherton Gallery, Tucson, Ariz., Rosalind Solomon, Photographs 1976-1987 Ikona Photo Gallery, Venice, Italy, 1982, Rosalind Solomon, Peru, Ljerka Mifka The Corcoran Gallery, 1980, Rosalind Solomon: Washington, Jane Livingston United States Information Service, 1984, Rosalind Solomon: India, Will Stapp Look Underfoot, “A Woman I Once Knew: Screening in NYC”, Susana Raab, July 2010 About.com: Art History, “Rosalind Solomon Reinvented, Again”, Beth Gersh-Nesic, June 2010 The New Yorker, “Rosalind Solomon Ritual”, June 2010 591 Photography Blog, “Rosalind Solomon”, Rhonda Prince, June 2010 reliquum : remainder, what is left, leavings., “Rosalind Solomon Ritual”, John Jacob, May 2010 New York times Lens Blog, “Rosalind Solomon's Singular Journey”, Susana Raab, May 2010 Look Underfoot, “Rosalind Solomon's Singular Journey (extended)”, Susana Raab, May 2010 Too Much Chocolate, “Sunday Showcase: Rosalind Solomon”, Jake Stangel, February 2010 Art in America, Edward Leffington, December 2008 The Archive 35, Center for Creative Photography, October 2008 Modern Painters, June 2008, Lyra Kilston The New Yorker, April 7, 2008, Vince Aletti FM4, November 2, 2006: “Interview with Rosalind Solomon and Ed Templeton” Der Standard, November 8, 2006 Falter, 8 November, 2006 Parnass, November, 2006 “Lichtempfindliche Zeiten,” Nicole Scheyerer Wiener Zeitung, November 3, 2006: “Immer Probleme mit den Putzfrauen,” Brigitte Borchhardt-Birbaumer Krone, November 3, 2006: “Amerika, so wie es wirklich ist,” Erwin Melchart Kurier, November 3, 2006, Henriette Horny Format, November 2006: “Im Bilderrausch,” Gerald Sturz Four Questions for Rosalind Solomon, October 2006, Michael David Murphy on 2point8 Ray, November 2006: “Westward the Pictures” Wien live, October 2006 Photo District News, Vince Aletti, July 2006 Monthly Photographer, “Fashion and Portraits,” Korea, July 2006 The New York Times, Ken Johnson, May 12-26, 2006 The New York Times, “Art and Architecture,” Randy Kennedy, May 7, 2006 The New Yorker, May 29, 2006 Saint Anne's Review, Summer/Fall 2004 Village Voice, "The Best Photo Books of 2003," Vince Aletti, Jan. 12, 2004 Gazeta magazine, "Malzenstwo wedlug Rosalind Solomon (Rosalind Solomon's Views on Marriage)," Paulina Skirgajllo-Krajewska, Warsaw, Poland, Nov. 12, 2003. Photobooks, Vince Aletti, Nov./Dec. 2003 (photograph on p. 48) The Telegraph Magazine, "Up Close and Personal," Naomi West, Oct. 18, 2003. Art Cologne, 2003, p. 31 Modern Painters, "Bookmark," Rebecca Wilson, Winter 2003 Portraits/Visages 1853 - 2003, Galerie de Photographie, Bibliotheque nationale de France/Gallimard; Catalogue preface by Jean-Noel Jeanneney, Thierry Grillet, Sylvie Aubenas and Anne Biroleau. See excerpt. Art on Paper, review of Chapalingas, Sept./Oct. 2003. B & W Black & White Magazine, "Important Exhibitions We Would Like to See in America," Susan Ehrens, August 2003 Paris Photo, Gerhard Steidl, July 2003 Fotomagazin, "Fur across the Heart," Manfred Zollner, July 2003 Prinz, "Die Welt in Schwarzweiß," May 2003 Photonews, "Fremd sein, fremd bleiben," Christoph Ribbat, May 2003 Stadtrevue, "Rosalind Solomon: Chapalingas," Kerstin Stremmel, May 2003 American Suburb X, "Interview with Rosalind Solomon" Steven Watson, May 2003 Kölner Illustrierte, "Rosalind Solomon," May 5, 2003 General-Anzeiger Bonn, "Zuckerwatte im roten Licht," Stefanie Stadel, May 3-4, 2003 Düsseldorfer Hefte, "Der Blick hinter die Oberfläche. Die US-Fotografin Rosalind Solomon," Stefanie Stadel, May 1, 2003 Photopresse, "Chapalingas", Anne Kotzan, No. 21, 2003 fotomagazin, "Fell am Herzen," Manfred Zollner, No. 7, 2003 NRZ, "Feuilleton: Rosalind Solomon," April 23, 2003 Süddeutsche Zeitung, "Die schier hemmungslose Leidenschaft der Bildererzählerin," Helmut Mauró, April 9, 2003 Photograhie, "Amerikanische Ansichten," April 2003 Frankfurter Rundschau, "Geerbter Schmuck: Der subtile Globalismus Rosalind Solomons," Ulf Erdmann Ziegler, March 29, 2003 Schaden.com, "Rosalind Solomon: Chapalingas," Markus Schaden, March 27, 2003 Kölner Stadt-Anzeiger, "Worte lösen sich in Luft auf und werden Poesie," March 21, 2003 Kölnischer Rundschau, "Schillernd wie Chapalingas," Annette Schroeder, March 14, 2003 Süddeutsche Zeitung, "Die Weitgereiste," March 14, 2003 on time (Deutsche BA), "Chapalingas," March 2003 The New York Times, “An Assembly of Skewed Images Dancing Out of a Dream State,” Margaret Loke, New York, February 22, 2002, p. B24. Elle, Italy, February/March, 2000 Blind Spot, Untitled (Belfast), Issue 13 Village Voice, “Rosalind Solomon and Linda Connor,” Vince Aletti, New York, November 9, 1999, p.89 The New York Times, “Ethnologists’ Data Turn Out to be Art,” Vicki Goldberg, New York, 1996 New York Magazine, “All Together Now,” Guy Trebay, New York, November 4, 1996 Caretas, “Lugares de Solomon,” Lima, Peru, August 1996 El Sol, “El Mundo Tambien pasa por Conchucos,” Lima, Peru, August 15, 1996 El Sol, “La Fotografia IIega del Norte,” Lima, Peru, August 12, 1996 New York Times, “Sharing the Visions of 6 Photographers,” Helen A. Harrison, New York, July 23, 1995 Utne Reader, “Photofolio: South Africa by Rosalind Solomon,” Rosalind Solomon, New York, 1995 Interview, “Your World in Revolution,” photographs by Bruce Weber and Rosalind Solomon, New York, 1994, pp. 138-39 Interview, “Once Under the Palms a Journey into the Past and Future by Four Artists” Ingrid Sischy, New York, 1993 Interview, “Things Will Never Be The Same,” Rosalind Solomon, New York, 1993 Almanaque para el ano 1993, p. 39, Bilbao Bizkaia Kutxa, Bilbao, Spain, 1993 The Independent, “Fair Provides a Snapshot of Photographic In-Crowd,” Geraldine Norman, London, June 18, 1990 The Washington Post, “Unmasking the Face Through Photography,” Michael Welzenbach, Washington, D.C., November 17, 1990 Mirabella, “Portraits from South Africa,” Vince Aletti, New York, 1990 People Magazine, “The Indomitable Spirit,” Ralph Novak, New York, April, 1990 New York Magazine, “Signs of the Times,” Kay Larson, New York, June 6, 1988 Afterimage, “The Politics of Experience,” John P. Jacob, Rochester, New York, 1988/1989 Newsletter of The Friends Photography, “Journeys,” Debra Heimerdinger, September, California, 1988 Cliches, Rosalind Solomon, "Photographe a la premiere personne," Loic Malle, May 1987, Nol. 36 Artforum, Charles Hagen, New York, New York, October 1986 The New York Times, “Taking a Fresh Look At Foreign Yet Familiar Lands,” Andy Grundberg, New York, August 10, 1986 Excerpt from Wall Comment, “Rosalind Solomon RITUAL,“ MOMA Solo Exhibition, 1986 Photo Communique, “Photographs as Artifact: The Work of Rosalind Solomon,” Rochelle Kolodny, Canada Winter 1985/1986 Rosalind Solomon, “Rosalind Solomon Photographies,” Ben Lifson, Traduit de l’anglais, Union des Banques a Paris, Paris, France, 1984 Corazon Songs and Music Recorded in Peru, Rosalind Solomon, Folkways-Smithsonian Institution, Washington, D.C., 1982 “Morning Edition,” Elizabeth Perez Luna Interview, National Public Radio, July 2, 1982 Rosalind Solomon: Peru, ed. Ziva Kraus, Ljerka Mifka, Ikona Gallery, Venice, Italy, 1982 The Village Voice, “New Perspective,” Ben Lifson, New York, February 3, 1982 The Washington Post, “Double Exposure,” Richard Paul, Washington, D.C., February 4, 1981 The New York Times, “Art: Photographing America’s Children,” Vivien Raynor, New York, January 9 , 1981 Artforum, “The Corcoran Gallery of Art, Sander Gallery,” Colin Westerbeck, New York, Summer 1980 Vogue, “Talking About Art,” Barbara Rose, New York, June 1980 American Children, Susan Kismaric, Museum of Modern Art, New York, 1980 Artforum, “From the Series ‘Outside the White House’,” Rosalind Solomon, New York, October 1980 Afterimage, “Solomon and Gomorrah,” Shirley True, Rochester, New York, October 1980
A Woman I Once Knew, Rosalind Solomon, 8 1/2 minute short video. Exhibited at the Bruce Silverstein Gallery and in the New York Underground Film and Video Festival, 2010 Don’t Eat My Centerpiece, Rosalind Solomon, 3-projection video installation. Part of the “Inside Out” exhibit at the Bruce Silverstein Gallery, 2008 Corazon Songs and Music Recorded in Peru, Rosalind Solomon, Folkways-Smithsonian Institution, Washington, D.C., 1982 Indian Love Rites Durga Puja and Kali Puja in Calcutta, Rosalind Solomon, Folkways-Smithsonian Institution, Washington, D.C., 1984 To Highlands, Rosalind Solomon, video, New York, 1998 Male, Vince Aletti, published by Andrew Roth, 2008 The Theatre of the Face, Portrait Photography Since 1900, Max Kozloff, Phaidon Press, London, 2007 Americans [1940-2006], Verlag Damiani Editore, Bologna 2006 La Trajectoire de regard: Une exposition de photographies du XXe siecle, Salle d’exposition du quai Antoine ler, Monaco, February 2006 Holy Madness: Portraits of Tantric Siddhas, Rubin Museum, Winter 2006 Fotografia, 2005, published by Televisa, Mexico,
DF, and printed by Los Talleres de Artes Graficas "Visages/Portraits," Bibliothèque nationale de France, Paris, France, October 2003 The Social Scene, an Anthology, Max Kozloff, Ralph Parsons Foundation Photography Collection, Museum of Contemporary Art, Los Angeles, California, 2000 Photography in New York, Inc., New York, New York, March/April, May/June, January/February, 2000, back page Photography in New York, Inc., New York, New York, November/December, 1999 Blindspot, “Thirteen,” New York, New York, May 13, 1999 A Sampling of Innocent Documents, “Making Women More Visible,” ed. Diana Mara Henry, Bettye Lane, The Arthur and Elizabeth Schlesinger Library, Radcliff College, Cambridge, Massachusetts, 1999, pp. 26-27 Our Grandmothers, “Your Ever Adoring Gammon,” ed. Linda Sunshine, Welcome Enterprises, Inc., New York, New York, 1998, pp. 82-83 Hope, ed. Alice Rose George and Lee Marks, Thames and Hudson, New York, New York, 1998, pp. 126. 139, 148 India, A Celebration: Fifty Years of Independence, The Aperture Foundation, New York, New York, 1997, pp. 158 - 164 Leg, ed. Diana Edkins, Betsy Jablow, General Publishing Group, Los Angeles, California, 1997 Our Mothers, Portraits of 72 Women Photographers, Viviane Esders, Stewart, Tabori & Chang, New York, 1996 MS. Magazine, November/December 1996 Media Marathon, Erik Barnouw, Duke University Press, Durham North Carolina, 1996 Wedding Days, Marla Hamburg Kennedy, Hiro Ikera, H2O Co. & Graystone Books, Japan, 1996, p. 28 World Photo Art Exhibition and Auction, Kobe Aid Fund, Asahi Shimbun, Tokyo Institute of Polytechnics, Tokyo, Japan, 1996 Luz y Tiempo, Manuel Alvarez Bravo, Fundacion Cultural Televisa, Mexico City, Mexico, 1995 Animal Attractions, Diana Edkins, Harry N. Abrams, Inc., New York, 1995 Black and White Washington, Thomasson-Grant, Charlottesville, Virginia, 1995, pp. 35, 41 The Body and the Lens, “Photography Since 1839: Gender Politics and the Postmodern Body,” John Pultz, Harry N. Abrams, Inc., New York, 1995, pp. 58-159 Fathers and Children, ed. Charles Sullivan, Harry N. Abrams, Inc., New York, 1995, p. 147 Mortal Remains, ed. Ricardo Bloch and Don Celender, Macalester College, St. Paul, Minnesota, 1995 Twentieth Century Photographs From the Permanent Collection, Centro Cultural de Arte Contemporaneo, Mexico City, Mexico, 1995 The History of Women in Photography, Naomi Rosenblum, Abbeville Press, New York, New York, 1994 Do Not Leave Me This Way: Art in the Age of AIDS, Compiled by Ted Gott, National Gallery of Australia, Thames and Hudson, Melbourne, Canberra, Australia, 1994, p. 145 American Politicians, Photographs from 1843 to 1993, Susan Kismaric, Museum of Modern Art, Harry N. Abrams, Inc. New York, 1994 Mexico Through Foreign Eyes, ed. Carole Naggar & Fred Ritchin, W.W. Norton & Co., New York, 1993, pp. 164-6 Members Only, ed. Ruth Turner and Lola Estrany, Galeria Carles Poy, Barcelona, Spain, 1993, p. 116 Blue Sky #2, Blue Sky Gallery, Portland, Oregon, 1992 From Media to Metaphor: Art About AIDS, Independent Curators Inc., New York, 1992, p.57 American Documents in the Fringe, Tokyo Metropolitan Museum of Photography, Tokyo, Japan, 1992 Parkett, “Not Vital: Frei Konvertibel” Rosemarie Trockel and Christopher Wool, Parkett-Verlag AG, Zurich, Switzerland, 1992, p. 147 The Indomitable Spirit, Marvin Heifferman and Carol Kismaric, The International Center of Photography, New York, New York, 1990 Women Photographers, Connie Sullivan, Harry N. Abrams, New York, 1990 Aperture, “Grief and Anger, Self and Shadow: Photographing People with AIDS,” Robert Atkins, New York, New York, Spring 1989 Recaption: Recontext, University of Minnesota Art Museum, Minneapolis, Minnesota, 1989 The New Expeditionary Photographer, Museum of Art, University of Oklahoma, Norman, Oklahoma, 1989 Wanderlust, Work by 8 Contemporary Photographers, Keith Davis, Nelson Atkins Museum, Hallmark Collection, Kansas City, Missouri, 1987 Mothers and Daughters, Burden Gallery, Aperture Foundation, New York, 1987 American Dreams, ed. Belinda Rathbone, Centro de Arte Reina Sofia, Madrid, Spain, 1987 Tenth Anniversary Photography Exhibition, Galerie Zabriskie, Paris, France, 1987 India: Ritual and the River, Aperture Foundation, New York, Winter 1986 Festival of India, “Rosalind Solomon: India,” Will Stapp, Harry N. Abrams, New York, 1985 Traveling, Addison Gallery of American Art, Andover, Massachusetts, 1985 Apres Cinq Ans, Galerie Zabriskie, Paris, France, 1982 Twentieth Century Photographs from the Museum of Modern Art, John Szarkowski, Seibu Museum of Art, Tokyo Japan, 1982 American Children, Susan Kismaric, Museum of Modern Art, New York, 1980 Mirrors and Windows, John Szarkowski, Museum of Modern Art, New York, 1978 Sander Gallery Catalogue I 20th Century Photography, Sander Gallery, Washington, D.C., 1979, pp. 59-60
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© Copyright 2011 Rosalind Solomon. All rights reserved. Rosalind Solomon Studio, New York City, USA.
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