Group Exhibitions

Museum of Modern Art, “The Original Copy: Photography of Sculpture 1839 to Today,” Details. Aug - Nov, 2010.

Museum of Modern Art, “Pictures by Women: A History of Modern Photography,” Details. May 2010 - Mar 2011.

Aperture Foundation, 2009, “Lisette Model and Her Successors,” Touring. Details.

Center for Creative Photography, "Oh L’amour: Contemorary Photography from the Janssen Collection," November 2008

Paris Photo 2006, Foley Gallery Booth

MUSA Museum auf Abruf, Wien, Austria, part of the “European Month of Photography/Monat der Fotografie,” September 2006

Kunsthalle Wien, Vienna, Austria, “Americans,” November 2006 – February 2007. Curated by Peter Weiermair

Museum of Modern Art, New York, New York, ‘Person, People, and Place,” March – November 2006

Sepia Gallery, New York, New York, “Sepia at Seven,” March – May 2006

Salle d’exposition du quai Antoine ler, Monaco, “La Trajectoire de regard: Une exposition de photographies du Xxe siecle,” February – March 2006

Photo Gallery International, Tokyo, Japan, “American Photographers: Fine Prints,” January – February 2006

Rubin Museum, New York, New York, “Holy Madness: Portraits of Tantric Siddhas,” February-September 2006

Museum of Modern Art, New York, New York, “Inaugural Installation of the Steichen Gallery,” 2005

Best of, Die Photographische Sammlung, Collection of the Foundation, Cologne, Germany, February - April, 2004

Art Cologne, 2003

Sepia International Inc., New York, "Faces," 2003

The Gallery at Mumm Napa, Rutherford, CA, 2003, and the Museum of Photographic Arts, San Diego, CA, 2004, "Wanderers, Travelers and Adventurers: Images of Exploration from the Permanent Collection of the Museum of Photographic Arts."

Bibliotheque nationale de France, "Portraits/Visages 1853 - 2003," 2003

Umbrage Editions and the United Nations, Barcelona, Spain, “Pandemic: Facing AIDS,” 2002, Tour

The Asia Society, New York, New York, “Banaras The Luminous City,” 2002

Sepia International, Inc., New York, New York, “Dream Street,” 2002

Galerie Zabriskie, Paris, France, “Au revoir Paris,” 1999

California Museum of Photography, Riverside, California, “Photography by Women from the Collection,” 1999

Wessel + O’Connor, “Female,” Vince Aletti, 1999

Sepia International, Inc., New York, New York, “Rosalind Solomon and Linda Connor: India,” 1999

Robert Mann Gallery, New York, New York, “Thirteen,” 1999

Philadelphia Museum, Philadelphia, Pennsylvania, “India: A Celebration of Fifty Years of Independence,” 1997, Tour

ACA Galleries, New York, New York, “Spirit Witness, Hillman, Maron, Solomon,” 1996

Brooklyn Museum of Art, New York, New York, “Photography in Latin America: A Spiritual Journey,” Barbara Milstein, 1996

Institute Francaise d’Ecosse, Edinburgh, Scotland, “Portrait of my Mother,” Viviane Esders, 1996

New York Public Library, New York, New York, “Women in Photography,” Tour 1996 (organized by the Akron Museum, Ohio).

G. Ray Hawkins Gallery, Los Angeles, California, “Kissing,” Tour 1995-1996

Photographs From the Permanent Collection,” catalogue, 1995

Centro Cultural de Arte Contemporaneo, Mexico City, Mexico, “Twentieth Century

Howard Greenberg Gallery, New York, New York, “Animal Attractions,” ed. Diana Edkins, 1995

Victoria and Albert Museum, London, England, “Recent Acquisitions for the Photography Collection,” 1995

Institut Francais d’Ecosse, Edinburgh, Scotland, “Portrait of my Mother,” Viviane Esders, 1994 Tour.

Directors’ Guild, Los Angeles, California, “The Magic of Play,” Diana Edkins, 1994 Tour 1995

National Gallery of Australia, Canberra, Australia, “Do Not Leave Me This Way: Art in the Age of AIDS,” catalogue text by, Ted Gott, 1994

Museum of Modern Art, New York, New York, “American Politicians,” catalogue text by Susan Kismaric, 1994

Museo Tamayo, Mexico City, Mexico, “Mexico Through Foreign Eyes,” catalogue curated by Carol Naggar and Fred Ritchen, Tour 1993-1995

Independent Curators Inc., New York, New York, “From Media to Metaphor: Art about AIDS, 1992-1994,” catalogue, Tour 1993-94

Museum of Modern Art, “Photographs from the Permanent Collection,” 1993

Blue Sky Gallery, Portland, Oregon, “Rosalind Solomon and Marc Riboud,” 1992

Tokyo Metropolitan Museum of Photography, Tokyo, Japan, “American Documents in the Fringe,” catalogue, 1992

International Center for Photography, New York, New York, “The Indomitable Spirit,” catalogue text by Marvin Heifferman and Carol Kismaric, 1990 Tour.

Basel Art Fair, Basel, Switzerland, “Photography: The Eighties,” Joshua Smith, 1990

Henie Onstad Museum, Oslo, Norway, “Selected Works from the Permanent Collection,” 1989

Ikona Gallery, Venice, Italy, “Group Exhibition,” catalogue text by Ziva Krauss, 1989

George Eastman House, Rochester, New York, “Professional Visions,” 1989

Museum of Art, University of Oklahoma, Norman, Oklahoma, “The New Expeditionary Photographer,” catalogue, 1989

University of Minnesota Art Museum, Minneapolis, Minnesota, “Recaption: Recontext,” 1989

Grazda, Rosalind Solomon,” David Lee, 1989

Center for Book Arts, New York, “Photo Journals" Peter Beard, Bill Burke, ed. 1989

Stephen Wirtz Gallery, San Francisco, California, “Children of Our Times,” 1988

George Eastman House, Rochester, NY, “The Cow in Photograph and Folktale,” 1988 Tour.

Museum of Photographic Arts, San Diego, California, “Viewpoints: An Exhibition from the Permanent Collection,” 1988

Centro de Arte Reina Sofia, Madrid, Spain, “American Dreams,” catalogue text by Belinda Rathbone, 1987 Tour.

Nelson Atkins Museum, Kansas City, Missouri, “Wanderlust, Work by 8 Contemporary Photographers,” Hallmark Collection, Keith Davis, Kansas City, Missouri, 1987 Tour.

Burden Gallery, Aperture Foundation, New York, New York, “Mothers and Daughters,” 1987 Tour.

Galerie Zabriskie, Paris, France, “Tenth Anniversary Photography Exhibition,” catalogue, 1987

Library of Congress, Washington, D.C., “Recent Acquisitions,” 1985

Corcoran Gallery of Art, Washington, D.C., “Photographs from the Collection,” 1985

Museum of Modern Art, New York, New York, “Opening Exhibition from the Permanent Collection,” 1985

Addison Gallery of American Art, Andover, Massachusetts, “Traveling,” 1985

National Museum of American Art, Washington, D.C., “New Acquisitions,” 1985

Centre Georges Pompidou, Paris, France, “Work from the Collection of the Bibliotheque nationale,” 1983

DuBose Gallery, Houston, Texas, “Mitch Epstein: Egypt, Rosalind Solomon: Peru,” 1983

The Mednick Gallery, Philadelphia College of Art, Philadelphia, Pennsylvania, “Bob Mahon/Rosalind Solomon,” 1983

Museum of Modern Art, New York, New York, “Selections from the Permanent Collection,” 1983

Galeria Carles Poy, Barcelona, Spain, “Members Only,” 1983, Tour

National Portrait Gallery, Washington, D.C., “New Acquisitions,” 1983

The Carpenter Center, Harvard University, Cambridge, Massachusetts, “From the Archives,” 1983

Light Gallery, New York, New York, “New Women/New Work,” 1982

Galerie Zabriskie, Paris, France, “Apres Cinq Ans,” 1982

The Photographers’ Gallery, London, England, “Floods of Light: Flash Photography 1851-1981,” catalogue, 1982

Seibu Museum of Art, Tokyo, Japan, “Twentieth Century Photographs from the Museum of Modern Art,” catalogue text by John Szarkowski, 1982

Museum of Modern Art, New York, New York, “American Children,” catalogue text by Susan Kismaric, 1981

Corcoran Gallery of Art, Washington, D.C., “Photographers by Photographers,” 1981

Ikona Photo Gallery, Venice, Italy, “Arnold Kramer, Joan Salinger, Rosalind Solomon,” 1980

Corcoran Gallery of Art, Washington, D.C., “Still Life Photographs,” 1979

Museum of Modern Art, New York, New York, “Works from the Permanent Collection,” 1979

Sander Gallery, Washington, D.C., “Eliot Porter, Ellen Auerbach and Rosalind Solomon,” 1978

Museum of Modern Art, New York, New York, “Mirrors and Windows,” catalogue text by John Szarkowski, 1978, Tour

Centre Georges Pompidou, Paris, France, “Works from the Collection of the Bibliotheque nationale,” 1977

Galerie Zabriskie, Paris, France, “Diane Arbus, Lisette Model, Rosalind Solomon,” 1977

Museum of Modern Art, NY, “Photography for Collectors,” John Szarkowski, 1976